Showing posts with label picture book. Show all posts
Showing posts with label picture book. Show all posts

Sunday, 25 September 2011

The Street of Ambiguous Narratives


"Everyone can talk about their memories of the time and explain a bit about how things were." (Christa Holtei, in Smith, 2011)
A picture book Die Straße ("The Street") illustrates "the history of Germany's turbulent last 100 years through the prism of a single street" with a focus on the Third Reich period, as well as "when the rebuilding of Germany began" after the war (Smith, 2011). Its illustrator Gerda Raidt notes the problem of addressing such event "without directly confronting the children with the horror" and has "tried to incorporate little hints all over the pictures" - a grocery store with its window smashed and shards of glass littering the pavement, a black mourning sash hangs over a portrait of a man, a portrait of Hitler has been stashed away in the attic...

Raidt also notes "it's better if you have to ask for yourself, rather than having everything explained to you" and the prewar political developments depicted in the street scenes are intentionally ambiguous. The idea of depicting the history of the Third Reich without explaining it is a relatively new approach in Germany (Smith, 2011). 

Smith, David Gordon (2011) Where's Adolf? Tackling Germany's Nazi Past in a Children's Book. [Online]
 http://www.spiegel.de/international/zeitgeist/0,1518,788117,00.html [25/09/2011]


Holtei, Christa and Haidt, Gerda (2011) Die Strasse: Eine Bilderreise durch 100 Jahre [Online] 
http://www.beltz.de/fileadmin/beltz/leseproben/978-3-407-79444-4.pdf [25/09/2011]

Saturday, 6 March 2010

Baaa by David Macaulay

Animals are often used in picture books to illustrate human behaviour in a society. In Baaa, David Macaulay shows how sheep built up culture similar to humans, after humans.

Around this time, leaders arose from the sheep
population. Some had charisma, others connections.

One evening, between commercials, a news sheep
announced that things were being used up too fast.
But nobody paid much attention.

Macaulay, D. (1985) Baaa. New York, N.Y.: Houghton Mifflin.


Monday, 1 March 2010

The Wall by Peter Sis

The Czech author Peter Sis illustrates his life behind the Iron Curtain.

Markus, L.S. (2007) The Cold War Kid. [online]

Wednesday, 24 February 2010

Pixar Collaboration


Are there opportunities for the artists in collaborative projects to voice their opinion? Communication seems to be at the foundation of collaboration, and all artists should feel able to talk freely. Yet, this is one of the obstacles I'm struggling to pass.
"Dailies at Pixar are very collaborative, and animators are encouraged to voice their opinions and solutions alongside the director and supervisors. Still, being the rookie, I didn't want to presume or suggest that I was smarter than anyone else in the room, much less make a fool of myself by suggesting something that might be obviously wrong to all the others." [Navone, 2010]
This picture book project came up through my BA dissertation, based on the Berlin Wall and perceptions. The story, about two bears living in Berlin exploring the new city and their differences in values, was developed in my discussions with Albert Lamb, an author and a play write, Andrew Sturman. So it can be hard for the collaborating artists to discuss or to change the story, if they feel that it's my story...

Another issue I feel we need to solve is communication of the group. I might be at the hub of this group, due to the way this group formed, and that other artists don't feel comfortable communicating to each other. It's either that, or I'm unaware of what the group is discussing/developing the project. 

Navone, V. [2010] Inside Dailies at Pixar: Expressing Your Opinion About Changes in Animation. [online]
http://www.animationmentor.com/newsletter/0909/feature_geek.html#tipTrick
[24/02/2010]
The Pixar Touch (2009) Collaboration in Production. [online]
http://thepixartouch.typepad.com/main/2009/09/collaboration-at-pixar.html
[24/02/2010]

Tuesday, 10 November 2009

Shaun Tan